Pieter Bas Bouwman (b. 1990, Port Chester, New York) moved to the Netherlands at a young age, where he spent the rest of his childhood in The Hague. After high school, photography became a big part of his life, especially when working at a game reserve in South Africa where he photographed wildlife. By May 2016, he had successfully completed his degree in Photography at the Fotoacademie in Amsterdam with his work IMPRINT at the exhibition Unframed 2016. Shortly after, he got selected for the GUP Magazine Photography Talent issue of 2017 and the Olympus Young Talent Award 2017. In 2019 he was a finalist for the Emerging Photographer Fund of Burn Magazine and Life Framer the Face of the Earth.

A central theme often explored in Pieter Bas Bouwman’s work is the relationship and the (im)balance between nature and humans. This often appears in his photographs of animals, destroyed and decayed buildings, or any other traces of human intervention in nature. This strongly relates to the transience and fleeting character of things; of life itself, the passage of time, of man-made structures and of nature and the world itself, that is slowly disappearing due to human intervention. This transience and fleetingness is visually translated by a blurriness that suggests rapid movement and dynamics. This often goes together with a certain nostalgic and melancholic feeling for that which is lost, and for that which will be lost eventually.